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Wednesday, February 14, 2024

A House upon the Height

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Site logo image Brian D. Butler posted: " Closed since 2019, the Emily Dickinson Museum has now completed a multi-year preservation effort at The Evergreens, aimed at improving environmental conditions for objects in its recently documented collection, and reducing energy consumption. " Travel Between The Pages Read on blog or Reader

A House upon the Height

Brian D. Butler

February 15

Closed since 2019, the Emily Dickinson Museum has now completed a multi-year preservation effort at The Evergreens, aimed at improving environmental conditions for objects in its recently documented collection, and reducing energy consumption.

Reopening on March 1, The Evergreens is an integral component of the American literary site interpreting and celebrating Emily Dickinson's life and legacy. Located just west of the Homestead, The Evergreens was built for the poet's brother Austin and his family in 1856. The lives of the Dickinson families at the Homestead and The Evergreens were closely linked, both in their daily conduct and in the private lives that unfolded in the houses. These connections had a profound impact on Emily Dickinson's poetry and, later, on the posthumous publication of her verse and the preservation of her legacy.

Supported by grants from the National Endowment for the Humanities and the Massachusetts Cultural Facilities Fund, the project focused first on reducing energy consumption through building envelope repairs, new insulation, and light filtration. It continued with installation of a museum-grade HVAC system to maintain temperature and relative humidity in ranges that promote the preservation of sensitive collections objects.

Austin and Susan Dickinson lived at The Evergreens until their respective deaths in 1895 and 1913. Their only surviving child, Martha Dickinson Bianchi, edited numerous collections of her aunt's poetry and authored biographical works about her in the 1920s and 1930s. She continued to live in the house, and preserved it without change, until her own death in 1943. Her heirs – co-editor Alfred Leete Hampson, and later his widow, Mary Landis Hampson – recognized the tremendous historical and literary significance of a site left completely intact and sought ways to ensure the preservation of The Evergreens as a cultural resource. The house is still completely furnished with Dickinson family furniture, household accouterments, and decor selected and displayed by the family during the nineteenth century.

The museum's Executive Director Jane Wald said: "We are so pleased that this important project has reached a successful conclusion. The Evergreens is an extraordinary house, unusually preserved, and steeped in the histories of the Dickinson family and the town of Amherst. That it has been little changed since the end of the 19th century and remains full of Dickinson family possessions was a distinct choice by family members and heirs, but one that led to decades of environmental conditions unfriendly to collections. Improvements to the building envelope and an effective heating and cooling system are a significant contribution to the preservation of the Dickinson home, history, and material legacy." via :

A House upon the Height—
That Wagon never reached—
No Dead, were ever carried down—
No Peddler's Cart—approached—

Whose Chimney never smoked—
Whose Windows—Night and Morn—
Caught Sunrise first—and Sunset—last—
Then—held an Empty Pane—

Whose fate—Conjecture knew—
No other neighbor—did—
And what it was—we never lisped—
Because He—never told—

 

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